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That incomprehensibility need not be long-winded is proven by our third-place winner, sent in by richard Collier, who teaches. Royal College in Canada. Its a sentence from making Monstrous: Frankenstein, Criticism, Theory, by Fred Botting (Manchester University Press, 1991 The lure of imaginary totality is momentarily frozen before the dialectic of desire hastens on within symbolic chains. Still, prolixity is often a feature of bad writing, as demonstrated by our next winner, a passage submitted by mindy michels, a graduate anthropology student at the American University in Washington,. Its written by Stephen Tyler, and appears in Writing Culture, edited (it says) by james Clifford and george. Marcus (University of California press, 1986).

We cannot see what the second that in the sentence refers. And imagine if that uncertain it were willing to betray its object? The reader may be baffled, but then any author who thinks visual experience pizza is essentially pornographic suffers confusions no lessons in English composition are going to fix. If reading Fredric Jameson is like swimming through cold porridge, there are writers who strive for incoherence of a more bombastic kind. Here is our next winner, which was found for us by Professor Cynthia freeland of the University of houston. The writer is Professor Rob Wilson: If such a sublime cyborg would insinuate the future as post-Fordist subject, his palpably masochistic locations as ecstatic agent of the sublime superstate need to be decoded as the now-all-but-unreadable dna of a fast deindustrializing Detroit, just as his. This colorful gem appears in a collection called The Administration of Aesthetics: Censorship, political Criticism, and the public Sphere, edited by richard Burt for the social Text Collective (University of Minnesota Press, 1994). Social Text is the cultural studies journal made famous by publishing physicist Alan sokals jargon-ridden parody of postmodernist writing. If this essay is Social Texts idea of scholarship, little wonder it fell for sokals hoax. (And precisely what are racially heteroglossic wilds and others?). Wilson is an English professor, of course.

stylish name writing

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The fame and influence of writers such as Hegel, heidegger, or Derrida rests in part on their mysterious impenetrability. On the help other hand, as a cynic once remarked, john Stuart Mill never attained Hegels prestige because people found out what he meant. This is a mistake the authors of our prize-winning passages seem determined to avoid. The first prize goes to the distinguished scholar Fredric Jameson, a man who on the evidence of his many admired books finds it difficult to write intelligibly and impossible to write well. Whether this is because of the deep complexity of Professor Jamesons ideas or their patent absurdity is something readers must decide for themselves. Here, spotted for us by dave roden of Central queensland University in Australia, is the very first sentence of Professor Jamesons book, signatures of the visible (Routledge, 1990,. 1 The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination; thinking about its attributes becomes an adjunct to that, if it is unwilling to betray its object; while the most austere films necessarily draw their energy. Roden says it is good of Jameson to let readers know so soon what theyre up against.

stylish name writing

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While she has supplied further extended"tions to prove her point, this seems to be enough. 1997 we are mattress pleased to announce winners of the third Bad Writing Contest, sponsored by the scholarly journal Philosophy and Literature and its internet discussion group, phil-lit. The bad Writing Contest attempts to locate the ugliest, most stylistically awful passage found in a scholarly book or article published in the last few years. Ordinary journalism, fiction, etc. Are not eligible, nor are parodies: entries must be non-ironic, from actual serious academic journals or books. In a field where unintended self-parody is so widespread, deliberate send-ups are hardly necessary. This years winning passages include prose published by established, successful scholars, experts who have doubtless labored for years to write like this. Obscurity, after all, can be a notable achievement.

Devaney, an editor at the University of Nebraska press. The author. Foundation: Matter the body Itself. Total presence breaks on the univocal predication of the exterior absolute the absolute existent (of that of which it is not possible to univocally predicate an outside, while the equivocal predication of the outside of the absolute exterior is possible of that of which the. This is the real exteriority of the absolute outside: the reality of the absolutely unconditioned absolute outside univocally predicated of the dark: the light univocally predicated of the darkness: the shining of the light univocally predicated of the limit of the darkness: actuality univocally predicated. The precision of the shining of the light breaking the dark is the other-identity of the light. The precision of the absolutely minimum transcendence of the dark is the light itself/the absolutely unconditioned exteriority of existence for the first time/the absolutely facial identity of existence/the proportion of the new creation sans depth/the light itself ex nihilo : the dark itself univocally identified. E., not self-identity identity itself equivocally, not the dark itself equivocally, in self-alienation, not self-identity, itself in self-alienation released in and by otherness, and actual other, itself, not the abysmal inversion of the light, the reality of the darkness equivocally, absolute identity equivocally predicated. Devaney calls this book absolutely, unequivocally incomprehensible.

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stylish name writing

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Peters of the University of Iowa, who describes it as quite splendid: enunciatory modality, indeed! Ed Lilley, an art historian at the University of Bristol in the. K., supplied a sentence by Steven. Levine from an anthology entitled. Stewart Unwin of the national Library of Australia passed along this gem from the. Australasian journal of American Studies (December 1997).

The author is Timothy. Luke, and the article is entitled, museum pieces: Politics and Knowledge at the American Museum of Natural History: Natural history museums, like the American Museum, constitute one decisive means for power to de-privatize and re-publicize, if only ever so slightly, the realms of death. An anatomo-politics of human and non-human shakespeare bodies is sustained by accumulating and classifying such necroliths in the museums observational/expositional performances. The passage goes on to explain that poetry museum fossils and artifacts are strange superconductive conduits, carrying the vital elan of contemporary biopower. Its demonstrated with helpful"tions from Michel foucaults. Finally, a tour de force from a 1996 book published by the State University of New York Press. It was located.

Judith Butler, a guggenheim Fellowship-winning professor of rhetoric and comparative literature at the University of California at Berkeley, admired as perhaps one of the ten smartest people on the planet, wrote the sentence that captured the contests first prize. Bhabha, a leading voice in the fashionable academic field of postcolonial studies, produced the second-prize winner. As usual, commented Denis Dutton, editor. Philosophy and Literature, this years winners were produced by well-known, highly-paid experts who have no doubt labored for years to write like this. That these scholars must know what they are doing is indicated by the fact that the winning entries were all published by distinguished presses and academic journals.


Professor Butlers first-prize sentence appears in Further Reflections on the conversations of Our Time, an article in the scholarly journal. Diacritics (1997 The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking. Dutton remarked that its possibly the anxiety-inducing obscurity of such writing that has led. Professor Warren Hedges of southern Oregon University to praise. Judith Butler as probably one of the ten smartest people on the planet. This years second prize went to a sentence written. Bhabha, a professor of English at the University of Chicago. The location of Culture (Routledge, 1994 If, for a while, the ruse of desire is calculable for the uses of discipline soon the repetition of guilt, justification, pseudo-scientific theories, superstition, spurious authorities, and classifications can be seen as the desperate effort to normalize formally the. This prize-winning entry was nominated by john.

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1998, we are pleased to announce winners of the fourth Bad Writing Contest, sponsored by the scholarly journal. The bad Writing Contest celebrates the most stylistically lamentable passages found in review scholarly books and articles published in the last few years. Ordinary journalism, fiction, departmental memos, etc. Are not eligible, nor are parodies: entries must be non-ironic, from serious, published academic journals or books. Deliberate parody cannot be allowed in a field where unintended self-parody is so widespread. Two of the most popular and influential literary scholars in the. Are among those who wrote winning entries in the latest contest.

stylish name writing

You can blow up balloons to various sizes to get different sized chocolate bowls, either for homework a big bowl or smaller ones for single servings. Use dark chocolate, white chocolate, or a mix of both be creative! Finally, fill the bowls with whipped cream, fruit, or whatever you like, and let your guests actually eat their bowls after they finish their treats its mouthwatering just writing about it! As all these fun projects involve bursting balloons, you are advised to wear protective glasses when doing. 6 points, upvote, downvote, total votes: 182, upvotes:. Upvotes percentage:.648352, downvotes: 88, downvotes percentage:.7k, shares. The, philosophy and Literature, bad Writing Contest ran from 1995 to 1998. For an essay giving background on the contest, click here.

out, put it on a table or any flat surface while the wax is soft, but not still runny, to form a flat base and let it completely cool. Pop the balloon and make the top surface of the candle even by touching it on a warm griddle. Finally, add small candles inside and enjoy the romantic atmosphere! (A little note of caution from Stylish eve, but hot wax can burn, so any children should be carefully supervised for this project and ideally rubber gloves should be worn for extra protection) 4- Chocolate bowls: This one is my favorite, and Im pretty sure. Imagine putting a chocolate bowl at the center of your table for a party; just think how awesome that would be! Even kids will love this idea, and the best part is that they can even help you out! Now all you have to do is blow up a balloon, either pour molten chocolate over the bottom half, or insert the balloon itself in molten chocolate. After the chocolate has begun to cool, rest it on a flat surface to create a flat base for the bowl, and when its totally cool, pop the balloon and ta-da you have a scrumptious chocolate bowl!

2- confetti vase: be non-traditional and make one of those colorful confetti vases. Blow up the balloon, cover it with glue, stick confetti over it and let it dry. Pop the balloon and cut the confetti to get an even edge. In no time, youll have a bright, colorful confetti vase thatll add an amazing, cheerful feel in any room and which will prove to be very useful in no time. 3- balloon Wax Luminaries: This is not just innovative, its writing also very beautiful. First off, fill a balloon with water. Then, very carefully and at a low heat melt some wax ideally place the wax in a bowl inside a pan of hot (not boiling) water and dont be afraid, its simple!

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339.7k, shares, no matter what our age, we all love balloons! But what youve probably never thought of before is how you can use balloons to do some really easy craftwork i know youll just love! Today, stylish eve is bringing you some amazing, easy-to-do, diy crafts that mainly depend on balloons. Check them out, then try them out, and then enjoy them! 1- hemp String Pendant Lamp: Want to have some new pendant lamps in your kitchen or bedroom? Try this diy project I found! Blow up a balloon, get a hemp string roll and start wrapping it around the balloon at different angles and directions while using glue (in the image, its Tacky glue). After forming a complete shape and allowing the glue and hemp to firm up, hippie pop the balloon, take it out and insert a lamp with a rod and hang your creative pendant lamp anywhere you want. Hang multiple lamps beside each other for an even better effect!


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We are pleased to announce winners of the third. Bad Writing Contest, sponsored by the scholarly journal Philosophy and Literature and its internet discussion group, phil-lit.

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